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	<title>Doran Violins</title>
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	<link>http://www.doranviolins.com</link>
	<description>Michael Doran is a Seattle-based maker of violins, violas, and cellos and an acomplished restorer of fine instruments.</description>
	<lastBuildDate>Mon, 29 Nov 2010 16:41:34 +0000</lastBuildDate>
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		<title>Inlay</title>
		<link>http://www.doranviolins.com/workbench/inlay/</link>
		<comments>http://www.doranviolins.com/workbench/inlay/#comments</comments>
		<pubDate>Sat, 25 Sep 2010 21:46:11 +0000</pubDate>
		<dc:creator>Michael Doran</dc:creator>
				<category><![CDATA[Workbench Blog]]></category>
		<category><![CDATA[Purfling]]></category>

		<guid isPermaLink="false">http://www.doranviolins.com/?p=706</guid>
		<description><![CDATA[Purfling is the decorative inlay on violins. Purfling highlights the edges of the instrument and the outline. It also reinforces the top&#8217;s edge against small cracks that run with the grain. The total width of the purfling as well as the width fo the individual strips can alter the look of the instrument. The purfling [...]]]></description>
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		<title>A Labor of Love</title>
		<link>http://www.doranviolins.com/workbench/a-labor-of-love/</link>
		<comments>http://www.doranviolins.com/workbench/a-labor-of-love/#comments</comments>
		<pubDate>Mon, 03 May 2010 03:53:24 +0000</pubDate>
		<dc:creator>Michael Doran</dc:creator>
				<category><![CDATA[Workbench Blog]]></category>
		<category><![CDATA[Michael]]></category>
		<category><![CDATA[Narayan Mahon]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://doranviolins.com/?p=769</guid>
		<description><![CDATA[A Labor of Love is a photography series, including documentary shorts, by Narayan Mahon on Northwest craftspeople. I am one of the artisans featured. Follow the link below to watch my portion of the project and learn more about the series. A Labor of Love: Michael Doran- Violin and Cello Maker from Narayan Mahon.]]></description>
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		<title>Making Purfling</title>
		<link>http://www.doranviolins.com/workbench/making-purfling/</link>
		<comments>http://www.doranviolins.com/workbench/making-purfling/#comments</comments>
		<pubDate>Wed, 23 Dec 2009 19:18:21 +0000</pubDate>
		<dc:creator>Michael Doran</dc:creator>
				<category><![CDATA[Workbench Blog]]></category>
		<category><![CDATA[Cremona]]></category>
		<category><![CDATA[Purfling]]></category>
		<category><![CDATA[Violins]]></category>

		<guid isPermaLink="false">http://www.doranviolins.com/?p=481</guid>
		<description><![CDATA[Purfling is decorative inlay. On violins it is the little black and white line that runs around the edge of the top and the back. Purfling is made from three pieces of wood sandwiched together to make a black-white-black pattern. A very small channel is cut parallel to the edge of the instrument and the purfling [...]]]></description>
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		<title>A new (old) way to clamp ribs</title>
		<link>http://www.doranviolins.com/workbench/a-new-old-way-to-clamp-ribs/</link>
		<comments>http://www.doranviolins.com/workbench/a-new-old-way-to-clamp-ribs/#comments</comments>
		<pubDate>Fri, 30 Oct 2009 02:18:28 +0000</pubDate>
		<dc:creator>Michael Doran</dc:creator>
				<category><![CDATA[Workbench Blog]]></category>
		<category><![CDATA[Joe Grubaugh]]></category>
		<category><![CDATA[Oberlin]]></category>
		<category><![CDATA[Ribs]]></category>
		<category><![CDATA[Stradivari]]></category>
		<category><![CDATA[Violins]]></category>

		<guid isPermaLink="false">http://www.doranviolins.com/?p=466</guid>
		<description><![CDATA[This way of clamping with string and a dowel is very simple, it applies plenty of clamping pressure to the glue joint and it is light weight. I was introduced to this way of clamping ribs to the blocks by Joe Grubaugh at Oberlin this year. I was amazed. The way I was taught to [...]]]></description>
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		<title>Building Bridges</title>
		<link>http://www.doranviolins.com/workbench/bridges/</link>
		<comments>http://www.doranviolins.com/workbench/bridges/#comments</comments>
		<pubDate>Wed, 30 Sep 2009 15:45:46 +0000</pubDate>
		<dc:creator>Michael Doran</dc:creator>
				<category><![CDATA[Workbench Blog]]></category>
		<category><![CDATA[Bridge]]></category>
		<category><![CDATA[Cellos]]></category>
		<category><![CDATA[Fingerboard]]></category>
		<category><![CDATA[Violins]]></category>
		<category><![CDATA[Wood]]></category>

		<guid isPermaLink="false">http://www.doranviolins.com/?p=439</guid>
		<description><![CDATA[<img class="size-thumbnail wp-image-457 alignleft" src="http://www.doranviolins.com/wp-content/gallery/2009/09/img_14251-125x125.jpg" alt="" width="125" height="125" />Bridges are a very important piece of the the violin family instruments. Bridges allow the vibrations from the strings to be transferred to the large resonating body of the instrument. They also hold the strings away from the fingerboard at the proper height for playing. Bridges are made from maple with very tight annual growth rings. The best bridgewood grows high in the mountains where the winters are long. The wood for bridges comes to violin-makers as "bridge blanks" with some of the intricate carving started. [...]]]></description>
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		<title>Where I Get My Wood From</title>
		<link>http://www.doranviolins.com/workbench/where-i-get-my-wood/</link>
		<comments>http://www.doranviolins.com/workbench/where-i-get-my-wood/#comments</comments>
		<pubDate>Mon, 31 Aug 2009 23:16:33 +0000</pubDate>
		<dc:creator>Michael Doran</dc:creator>
				<category><![CDATA[Workbench Blog]]></category>
		<category><![CDATA[Violins]]></category>
		<category><![CDATA[Wood]]></category>

		<guid isPermaLink="false">http://www.doranviolins.com/?p=409</guid>
		<description><![CDATA[<img class="size-thumbnail wp-image-421 alignleft" title="Violin and Cello Wood" src="http://www.doranviolins.com/wp-content/gallery/2009/08/img_14032-125x125.jpg" alt="&#60;br /&#62;" width="125" height="125" />Almost all violins are made of maple and spruce. Spruce is used for the front of the instrument because it is light and strong and transmits the vibrations of the strings very well. Maple is used for the back, ribs and neck because it is stable, strong and beautiful. For some of the larger instruments, like violas and cellos, sometimes softer woods like poplar and willow are used for the back and ribs. Spruce from Italy (<em>Picea</em> <em>abies</em>) is highly prized by violin makers, as is Bosnian maple (<em>Acer pseudoplatanus)</em>. I also use Engelmann Spruce (<em>Picea engelmanni) </em>from Canada.]]></description>
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		<title>New Models &amp; Templates</title>
		<link>http://www.doranviolins.com/workbench/new-models-and-templates/</link>
		<comments>http://www.doranviolins.com/workbench/new-models-and-templates/#comments</comments>
		<pubDate>Fri, 21 Aug 2009 20:11:25 +0000</pubDate>
		<dc:creator>Michael Doran</dc:creator>
				<category><![CDATA[Workbench Blog]]></category>
		<category><![CDATA[Cellos]]></category>
		<category><![CDATA[Guarneri]]></category>
		<category><![CDATA[Quartet]]></category>
		<category><![CDATA[Violas]]></category>
		<category><![CDATA[Violins]]></category>

		<guid isPermaLink="false">http://www.doranviolins.com/?p=394</guid>
		<description><![CDATA[This week I have been working on making new models, or patterns that I base my instruments on. I have decided to make a quartet of Guarneri instruments. The cello will be a Joseph Guarneri 'Filius Andrea', the viola an Andrea Guarneri, and the two violins will be in the style of  Joseph Guarneri 'Del Jesu'. I thought it would be interesting to see how the family style progressed, from the grandfather to the father to the son. I have never made four instruments together with the intention of them being a cohesive whole before and the prospect is exciting.]]></description>
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		<title>The 2009 Violinmaking Workshop</title>
		<link>http://www.doranviolins.com/workbench/oberlin-2009/</link>
		<comments>http://www.doranviolins.com/workbench/oberlin-2009/#comments</comments>
		<pubDate>Thu, 23 Jul 2009 03:44:42 +0000</pubDate>
		<dc:creator>Michael Doran</dc:creator>
				<category><![CDATA[Workbench Blog]]></category>
		<category><![CDATA[Cellos]]></category>
		<category><![CDATA[Guarneri]]></category>
		<category><![CDATA[Oberlin]]></category>
		<category><![CDATA[Violins]]></category>

		<guid isPermaLink="false">http://www.doranviolins.com/?p=375</guid>
		<description><![CDATA[<a class="thickbox" href="http://www.doranviolins.com/wp-content/gallery/2009/07/oberlin-2009-workshop.jpg"><img class="alignleft size-thumbnail wp-image-379" title="oberlin-2009-workshop" src="http://www.doranviolins.com/wp-content/gallery/2009/07/oberlin-2009-workshop-150x150.jpg" alt="Oberlin 2009 Workshop" width="150" height="150" /></a>I have returned from the Violin Society of America's Violin Making workshop in Oberlin Ohio. I feel like I am just settling back into my normal routine. The workshop is a unique experience. About 40 professional makers from around the world come together to learn from each other and work side-by-side for two weeks. Each year there is a topic that we focus on and each year we make a group instrument. Chris Germain directs the workshop and thinks of it as graduate school for violin-makers. [...]]]></description>
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		<item>
		<title>Rib Structures Part 2: Bending Ribs</title>
		<link>http://www.doranviolins.com/workbench/rib-structures-bending-ribs/</link>
		<comments>http://www.doranviolins.com/workbench/rib-structures-bending-ribs/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 00:52:42 +0000</pubDate>
		<dc:creator>Michael Doran</dc:creator>
				<category><![CDATA[Workbench Blog]]></category>
		<category><![CDATA[Cellos]]></category>
		<category><![CDATA[Gluing]]></category>
		<category><![CDATA[Ribs]]></category>

		<guid isPermaLink="false">http://www.doranviolins.com/?p=357</guid>
		<description><![CDATA[After the blocks have been glued to the mold I shape them to the right curve to match the model I am making. The shape of the blocks defines the shape of the corners on the top and back, so I am careful to get the shape that will give me the look that I [...]]]></description>
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		<title>Rib Structures: Blocks and Molds</title>
		<link>http://www.doranviolins.com/workbench/rib-structure-pt-1/</link>
		<comments>http://www.doranviolins.com/workbench/rib-structure-pt-1/#comments</comments>
		<pubDate>Sun, 31 May 2009 00:38:57 +0000</pubDate>
		<dc:creator>Michael Doran</dc:creator>
				<category><![CDATA[Workbench Blog]]></category>
		<category><![CDATA[Cellos]]></category>
		<category><![CDATA[Gluing]]></category>
		<category><![CDATA[Ribs]]></category>
		<category><![CDATA[Stradivari]]></category>
		<category><![CDATA[Violins]]></category>

		<guid isPermaLink="false">http://www.doranviolins.com/?p=338</guid>
		<description><![CDATA[I am varnishing the cello we&#8217;ve been following right now. This ends up giving me a bit of time in between coats to work on other things. So, I have started the next cello. More about varnish later. Ribs are the sides of the instrument. They are what gives the air volume to a cello&#8217;s [...]]]></description>
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